Sisters of the Burning Branch Goddess Gallery Presents...

The   Egyptian Goddess

 

Sekhmet

 

   

By Lady Lydia Marie


About Goddess Sekhmet


Sekhmet is known in many different myths as many different personifications some of which are “The one who was Before the Gods Were”, “The Lady of the Place of the Beginning of Time,” “The Mistress of Life,” and “The Great one of healing” She was a very important leonine deities of Egypt but is the least studied which has led to her myths being very contradictory with many interpretations. She was the most significant manifestation of the Eye of Re, embodying the aspects of danger, destruction, as well as protection and healing.

 The myth most commonly associated with Sekhmet is “The Destruction of Humanity,” from the Book of the Heavenly Cow found on the walls of royal tombs from the 19th and 20th dynasties, around 1200-1100 BCE. This myth is considered to be one of the oldest Ancient Egyptian narratives.

 Below is a version of it from the website “Goddess Alive Goddess Celebration and Research”

 The “Destruction of Humanity” opens with a group of humans rebelling against Re, the aging solar god. Re brings together a council of elder deities for advice. Among those attending is the Eye, who created humans. Nun, primeval chaos, suggests that Re send the Eye out against the humans who rebelled against His authority. The Eye, in the form of Hathor, goes to slay the human rebels who have fled to the desert. She slaughters the rebels and then returns to Re, saying that She “over-powered mankind, and it was agreeable to my heart.” And it is here that “Sekhmet came into being.” Considering this, Re decides that He does indeed want to rule over the humans.

Realizing that Sekhmet will destroy the rest of humanity, Re has a change of heart. He commands his chief priest to grind red ochre to mix with 7,000 jars of barley beer being brewed by women. On the eve of Sekhmet’s planned destruction of humanity, the intoxicating draught is completed and poured into the fields where She will arrive. In the morning, Sekhmet finds the fields brimming with the red beer. Seeing Her own reflection in the flooded plains, She is delighted and drinks Her fill. She is then too intoxicated to even recognize humans, and the destruction of humanity is averted 4. She is subdued by an intoxicant because She cannot be subdued by force. Re greets Sekhmet with the words “Twice welcome in peace, O Charming One” and decrees that every year women will brew intoxicating draughts for a great feast in Her honor.5

“The Destruction of Humanity” story recurs frequently in Egyptian mythology with different deities and different rebellions, which causes this narrative to be viewed as a repeating pattern of events.6 This myth shares many similarities with other myths that depict deities creating humans and then ultimately destroying them because they were dissatisfied with their creation. This supports the principle that a deity that is powerful enough to create life is also powerful enough to destroy life. And in this Ancient Egyptian myth, that power resides with female deities. The Eye is a symbol of power, the awesome and awe-ful power of the sun. This power spans the destructive acts of creation and the creative acts of destruction. The power of Sekhmet is beyond the male gods’ control; She is a force of nature, wild and indiscriminate.

Ancient Egyptians reenacted the myth of “The Destruction of Humanity” in an annual festival held in the first month of the year, immediately after the flooding of the Nile. These feasts are well-documented at the temple of Mut during the reign of Hatshepsut and well into the Ptolemaic era. The temple inscriptions describe continual singing, dancing, drinking, and music-making as acts of propitiation of Mut in Her form as Sekhmet. This New Year festival occurred after the hottest days of summer had finally ended, the rains arrived, and the Nile flooded. Ochre-colored beer, brewed by women, flowed in an ecstatic ritual of propitiation to the power of the female divine.7. The flooding of the Nile brought the promise of the continuation of life in an annual cycle.

The early floods would flush more clay, silt and sand down the river, creating rich and fertile sediment. With the mythic identification of the Nile and menstruation, this festival certainly honored the power of the female in all aspects. As Ellis states, “Sekhmet embodies the cyclical blood that flows at birth and death; the blood that flows from mother to child in the womb; the blood on the battlefields, and the menstrual blood or the blood of circumcision that separates the budding young adult from childhood.” Regeneration of the land, the continuation of life, was intricately tied to the cycles of the Nile. “It is the cyclical red flood of the River Nile that became equated with the red, renewing menstrual blood that cleanses and prepares the way for renewal and regenesis. This blood is a kind of communion, in which humankind partakes of the divine drink of the gods. That is the mystery of transubstantiation.”

   

The New Year festival was one of the primary transition periods for the Ancient Egyptians. Sekhmet was invoked and propitiated as Her immense power could be wielded in many directions. A recitation of a spell called “The Book of the Last Day of the Year” was performed over a piece of cloth which was then worn as an amulet during the days leading up to the New Year. Prayers were recited to gain the protection of Sekhmet, and tokens of Sekhmet and Bastet were liberally bestowed.

The clergy of Sekhmet, the “Uab,” were famed as healers and surgeons. One of the few surviving Ancient Egyptian medical books, the Papyrus Ebers, contains many spells written expressly for the use of the clergy of Sekhmet. A comprehensive knowledge of the heart and circulation was attributed to the Uab. The heart reflected the solar attributes of regeneration. Heart scarabs, placed on the chest of the deceased, manifested the revitalizing powers of the sun, aiding the transformation of the deceased. Some heart scarabs were made of carnelian; this passage from The Egyptian Book of the Dead, beautifully translated by Normandi Ellis, refers to the stone’s regenerative and solar qualities: “Mine is a heart of carnelian…I am the phoenix, the fiery sun, consuming and resuming myself.”11

“The Devouring One,” “Warrior Goddess,” “Protectress of the Divine Order,” “Lady of Jubilation” and “The Beautiful Light,” Sekhmet, the divine manifestation of the lioness-woman, encompassed all of these aspects. She was called upon by queens and kings, warriors and healers, priestesses and priests, for Her strength and power. She was truly “The Incomparable One.”

 

Sacred connections to her..

Lioness Images especially ones with a lion with it which represent her with a masculine image.

 The colors red, orange, and yellow as well as the crystals and stones: Bloodstone, tigers eye, amber, basalt, garnet, hematite, and obsidian.

The numbers 7 and 5 represent her, this is true because there are 7 stones that correspond with this Sekhmet. these numbers are relevant because they are used in Numerology as 2 of the 11 numbers used in this type of divination to create numerology charts.

 Images of the sun and the Eye of RA, myth has said that this is how Goddess Sekhmet was born. When the Egyptian God Ra became disgusted with the human race and ripped out his eye and threw it down at the people of Egypt and through this action Sekhmet was born.


 

Ritual

 Full Moon Ritual with the Goddess Sekhmet

By J. Jing Link Credited Below in Sources

 So on this full moon, we call upon Goddess Sekhmet the Egyptian goddess.

Before you begin find an object that symbolizes your intention to be used in this ritual of the strong and mighty to shore up my strength and power.

 1. At the beginning of my ritual, I use the following “invocation” (to invite Sekhmet’s be present with me):

“Sekhmet, the goddess of the strong and mighty, I call upon you to come with your lion and lend me your strength and power. Help me rise above the old tendencies and see myself in a new light of feminine strength.

“Let me have the courage, strength, patience and perseverance to carry out my mission, attract new opportunities, abundance and prosperity, and enriching relationships.

“Let me be stronger, physically, mentally, emotionally and spiritually. And so be it.”

2. I then meditate for a while, visualizing and feeling that every cell of my being is getting stronger and filled up with enormous power. I also quiet my mind to receive any specific message that’s sent my way.

3. At the end, I use the following “devocation” (to thank her and say farewell to her) to close my ritual.

“Sekhmet, I have received your message. Thank you for being with me. May you give strength to anyone who needs support on his or her journey. And I ask that your strength remain in my heart. Farewell. And love and peace to all.”

In her Image

 My own work representing the Goddess Sekhmet is an invocation which can be used in a ritual representing her. I wrote this on my own out of my head it can be changed accordingly for whatever ritual you are using it for.

 Invocation to Sekhmet

By Lady Lydia Marie

July 2016

 Lioness, warrior, fierce moving, powerful woman

I/We call upon you this night in your name the moon is full of fire red with desire what a perfect night to call to you to protect us, nurture us, and teach us how to be powerful and protect ourselves.

 As a lioness can lead her pride in the absence of the lion you lead us as you lead your people in Egypt to be strong in numbers, in pride, in emotion, and in love.

 We ask of your presence to teach us, show us the way, so that we may make you proud and know you are with us most of all in the heat of the day.

Noon is your witching hour and we think of you when this time of day strikes, as the color red is not just beauty but the strength you show us every day.

Blessed Be dear goddess Sekhmet and join us to celebrate your presence in our circle tonight.


Sources:

 Myth, ritual, and written content:

http://www.goddessalive.co.uk/issue-20-home/sekhmet-the-incomparable-one/

http://www.cycleharmony.com/stories/menstrual-myths-a-rituals/full-moon-ritual-with-goddess-sekhmet

1. Joseph Kaster, The Wisdom of Ancient Egypt (New York: Barnes and Noble, 1968), 55-56.
2. Normandi Ellis, Feasts of Light: Celebrations for the Seasons of Life based on the Egyptian Goddess Mysteries (Wheaton, IL: Quest Books, 1999), 58.
3. Lesko, The Great Goddesses of Egypt, 145.
4. Edward F. Wente Jr., trans. “The Book of the Heavenly Cow,” in The Literature of Ancient Egypt, edited by William Kelly Simpson (New Haven, CT: Yale University Press, 2003), 289-292.
5. Kaster, The Wisdom of Ancient Egypt, 70.
6. Geraldine Pinch, Egyptian Mythology: A Guide to the Gods, Goddesses, and Traditions of Ancient Egypt (New York: Oxford University Press, 2004), 125.
7. Pinkowski, “Egypt’s Ageless Goddess,”45-49.

8. Jaana Toivari-Viitala, Women at Deir el-Medina. A Study of the Status and Roles of the Female Inhabitants at the Workmen’s Community during the Ramesside Period (Leiden: Nederlands Instituut voor Het Nabije Oosten, 2001), 162; Judy Grahn, Blood, Bread and Roses: How Menstruation Created the World (Boston: Beacon Press, 1993), 225.
9. Ellis, “Sekhmet, Bast, and Hathor,” 206.

10. Ibid.
11.Normandi Ellis, Awakening Osiris: A New Translation of the Egyptian Book of the Dead (Grand Rapids, MI: Phanes Press, 1988), 178.

Excerpted from Heart of the Sun: An Anthology in Exaltation of Sekhmet (Goddess Ink, 2011).

Images:
https://www.google.com/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&cad=rja&uact=8&ved=
0ahUKEwjv96rN0fjNAhUY2WMKHQmhCZgQjhwIBQ&url=https%3A%2F%2Fwww.pinterest.com%2Ffannyfae%2F
sekhmet-the-beauty-the-terror%2F&psig=AFQjCNHs_m-347hNLAMxWk9M8ougoh2YVg&ust=1468780960373030

https://www.pinterest.com/ashamoonraven/sekhmet-my-protection-goddess/

http://www.welcomethelight.com/category/channels/m-z/mother-sekhmet/

http://www.buzzle.com/articles/interesting-facts-about-the-ancient-egyptian-goddess-bastet.html

http://www.egyptian-witchcraft.com/the-goddess-sekhmet/

http://www.deviantart.com/tag/sekhmet

 

Copyright Lady Lydia Marie
Lammas 2016      
 
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