GAIA
by
Ezevia Rose
A HISTORICAL
BASE
In the beginning there
was no earth, or sky or sea. There was only a dark mass of confusion called
Chaos.
After many years, Mother Earth called Gaia was born.
Gaia gave birth to Pontus
(the sea) and Uranus (the sky also known as Father Heaven). Father Heaven
loved Mother Earth, he made rain fall on her, so that her flowers and trees
and grasses grew. The rain fell into the crevices, forming seas, rivers and
lakes. Then she created many kinds of animals to live in the forests and fields,
lakes and oceans.
Gaia after creating the
great oceans took Uranus as her husband who was also her son. Together they
brought forth forms of nature with precise names. Their offspring included
the Titans, six sons and six daughters. She gave birth to the Cyclops and
to three monsters that had fifty heads and one hundred hands each, they
became known as the “Hecatonchires”. The Erinyes (spirits of punishment)
were also offspring of Gaia and Uranus. Here the mother goddess and son-lover
myth is glimpsed.
It is said Uranus could
not stand the sight the children monstrous as they were, soon after birth
he planned to hide them in a secret place so they would never see light.
This was straining to Gaia as she was vast and she groaned mightily. She thought
of a plan to overcome Uranus and brought forth gray iron. A huge sickle with
great teeth was formed, she then urged her sons the Titans to repay their
father’s crime. It was Cronos who took up the challenge on for his mother.
“Great Heaven came, and
with him brought the night.
Longing for love, he lay
around the Earth,
Spreading out fully. But
the hidden boy
Stretched forth his left
hand; in his right he took
The great long jagged sickle;
eagerly
He harvested his father’s
genitals
And threw them off behind.
They did not fall
From his hands in vain,
for all the bloody drops
That leaped out were received
by Earth; and when
The yea’s time was accomplished,
she gave birth
To the Furies, and the
Giants, strong and huge,
Who fought in shining Armour,
with long spears
And the Nymphs called Meliae
on the broad Earth.”
Cronos released his brothers
and sisters. The Titans then made Cronos the ruler of heaven
and earth and their sister Rhea his wife and queen.
After the separation of
the Earth and Sky, Gaia gave birth to those fathered by Pontus. Their names
were sea-god Nereus,
Thaumas, Phorcys, Ceto and Eurybia.
Rhea bore sons one of which
was to overtake Cronos.
It was Gaia who saved Zeus
from being swallowed by Cronos, after Zeus was born, Gaia helped Rhea to wrap
a stone in swaddling clothes to trick Cronos, who heard that one of his children
would depose him. To rid that fear he swallowed them. Gaia tricked Cronos
and Zeus was taken to Crete.
Gaia is the primordial
element from which all Gods and Goddesses originated and were worshipped
in Greece. She later went into decline and was supplanted by other Gods.
In Roman mythology she
is known as Tellus or Terra.
Her name is also spelled
as Gaea or Ge and is pronounced as jee’-uh.
THE REAPPEARANCE
Gaia was largely suppressed
by Christians but later emerged in the 18th century when references
are made of her as the female earth , Mother Goddess.
Interest continued greatly
in the 19th century, many tribal peoples worshipped the Earth as a female
deity.
In 1861 the first volume
of “Das Mutterrect” written by Johann Jacob Bachofen (1815-1887) a Swiss Anthropologist
argued that the matriarchate or gynecocracy found among tribal peoples,
where authority in both the family and the tribe was in the hands of women.
That the worship of both family and tribe was of a supreme female deity.
These ideas later meshed
with those of Charles Darwin’s theory of evolution in 1859 in his “On the
Origin of Species” there emerged the view that human evolution passed through
an early matriarchal stage.
It was with this background
of ideas that in the end of the 19th century and beginning of the 20th century
that archeologists saw the newly discovered Paleolithic “Venus” figurines.
Viewing them as representations of the Mother Goddess.
In more recent studies
the “Venus” of Willendorf as been seen as more of an amulet functioning in
connection with fertility.
At the time of its discovery
the statuette showed traces of red ochre pigment, which thought to symbolize
or serve as a surrogate of menstrual blood, or a life-giving agent.
The fact that the statuette
“Venus” of Willendorf would have served this purpose would emphatically place
the figure in a female sphere. This would increase the idea that they would
have been sculpted by a woman and not a man.
“THE GAIA HYPOTHESIS”
In contemporary science
there is a theory that the earth-soil, water, atmosphere, and living creatures,
all together is one system. One so intricate and self regulating that it is
viewed as an enormous conscious living entity.
James Lovelock has called
this the “Gaia Hypothesis” The Gaia theory suggests that in some sense the
earth is “alive”. Lovelock writes: “I recognize that to view the Earth as
if it were alive is just a convenient, but different way of organizing the
facts of the Earth. I am of course prejudiced in favor of Gaia and have filled
my life for the past twenty-five years with the thought the Earth may be alive:
not as the ancients saw her- a sentient Goddess with a purpose and foresight-but
alive like a tree. A tree that quietly exists, never moving except
to sway in the wind, yet endlessly conversing with the sunlight and the soil.
Using sunlight and water and nutrient minerals to grow and change. But all
done so imperceptibly, that to me the old oak tree on the green is the same
as it was when I was a child.”
IS SHE ALIVE
The idea of a living earth
is ancient. “We shall affirm that the cosmos, more than anything else, resembles
most closely that living creature of which all other living creatures, severally
or genetically, are portion; a living creature which is fairest of all and
in ways most perfect.” Plato
The thought of Earth as
alive has only been lost since Descartes and the coming of objective science.
There are advocates of
a living earth even in this scientific period : James Hutton (a physiologist)
Lamark, Goethe, Humbolt and Vladimir Vernadsky who introduced the concept
of a biosphere, the recognized matter as “living”, life a geological force
and the atmosphere as an extension of life
http://www.creativegallerytwo.com/Earth-mother
SYMBOLS OF
GAIA
The snake was the original ancient surviving symbol of her original worshipers.
In myth Gaia is served by the great snake Pithia who is resident as Delphi.
The snake now is often misinterpreted as the serpent of Christianity in the
story of Adam and Eve.
To our Foremothers the
snake was rebirth. The snake is able to shed its skin giving it the look
of re-birth a symbol of life not evil.
The Greeks left offerings
of honey and barley to the Goddess Gaia.
Both honey and barley are
symbols of feminine abundance. Honey is connected to sweetness and the matriarchal
bee, while barley is a seed that upon examination is shaped like a small vulva
with it’s conch type shape and little central slit. Both would be appropriate
today to use in calling down the great beneficence of the wonderfully fertile
Goddess Gaia.
http://www.themes.myquth.com/Mother
FEAST OF GAIA
Records of Gaia have perished
over the centuries, thus Gaia may be honored on any day, however April 22
The Spring Equinox or Earth Day would be an appropriate day of celebration.
People all over America today celebrate Earth day in honor of preservation.
There are organized clean up days and presentations of awareness to protect
and help our Mother Earth.
WORKING WITH GAIA
To Heal
Healing with the Earth
works through the process of transference. The wound or disease is transferred
magically to another substance, usually an organic one, which is then buried.
As it rots it releases the wound or disease.
To remove a disease or
heal a wound, rub the afflicted part with an apple or potato. Then as quickly
as possible, dig a hole in the ground, put it in, and cover it over with earth.
It is done.
One note here is be wise.
Healing magic should always be used in addition to conventional medicine and
never as a replacement.
To Lose your Troubles
Take a handful of earth
and gaze into it; pour into it all your problems. Outline in minute detail
all of those problems plaguing you.
When you are finished,
throw the dirt behind you and walk away from it, not turning back.
An Earth Charm
Tie up a small green square
of cloth some fresh, rich soil. Firmly tie this so no earth can escape.
Carry this with you if
you have troubles with stability, security, and self-control; if you are
apt to let your emotions rule your life; if you are constantly angry or nervous.
This amulet of earth will help.
Exerpts from Scott Cunningham’s
“Earth Power”
http://www.bnr-art.com
Bev Dolittle
“The Earth is My Mother”
CHANTS AND
PRAYERS TO GAIA
“Green growth, green growth,
Flesh and hair and dress
Of our universal Mother
Earth
O Terra Mater, bless us
always
With Green Growth.”
Taken from Barbara G.
Walker’s “Women’s Spirituality and Ritual”
“Of her I sing, the All-Mother,
old and rock-hard and beautiful.
Of her I sing, the nourisher,
She upon whom everything
feeds.
Of Gaia I sing. Whoever
you are,
Wherever you are, she feeds
you
From her sacred treasure of life.
Bountiful harvests, beautiful
Children, the fullness
of life:
These are her gifts. Praise
her.”
“The wide blue sky wants
to penetrate the earth.
The earth longs for utter
union. Look it comes!
Rain falls. Rain falls
as sky meets the earth.
Rain falls. Earth bubbles
with life.
Life springs forth form
the damp soil:
Flocks of sheep like clouds,
oceans of wheat.
All gifts of earth’s children.
And one more:
Peace. Peace that blossoms
in a rain of love.”
“Earth, holy mother, source
of nature,
you feed us while we live,
hold us when we die.
Everything comes form you,
everything returns to you.
What else could we call
you but Our Mother?
Even the Gods call you
that. Without you,
There is nothing.
Nothing can thrive, nothing can live
Without your power. Queen
and Goddess, I invoke you:
You are all – powerful
and my needs are so small.
Give me what I ask in exchange,
I will give you
My thanks, sincere and
from my deepest heart”
Experts from Patricia Monaghan
“The Goddess Path”
A QUARTER
CALLING TO THE TREES
This quarter call does
indeed draw on the trees and their magical attributes. You will notice that
there are coordinating times of day as well as directions and magical correspondences.
To perform this circle casting, start in the east. As you call each
quarter, you will keep moving to each new direction to your right. Then move
to the center to seal the circle.
“Circle of the
Trees”
In the east, maple leave
rustle in the morning breeze,
Element of air, I call
for inspiration, join me now please.
In the south, the midday
sun shines upon the mighty oak tree,
I request the element of
fire for strength and to illuminate me.
In the west, the willow
sways by the silver springs at twilight,
Element of water, I call
for love and the gift of second sight.
In the north grows the
cypress, tree of the midnight hour,
Element of earth, grant
me protection, wisdom and power.
Four different trees of
magick, four separate times of power.
This circle of trees is
now cast by root, stem, leaf and flower.”
To open the circle, begin
in the north. Release each element with your love and thanks. Try something
like this:
“Element of Earth, I thank
you for your presence. Go in peace. Blessed Be”
Then move to your left
and release each element in turn. To finish up, I would open the circle by
using the oldie but goodie
“The circle is open, but unbroken. Merry meet, merry part and merry
meet again.
Taken from Garden Witchery
by Ellen Dugan
MY GARDEN
GAIA GODDESS
For my personal project
I chose to make a Gaia that was created mostly from my garden plants. It was
my aspiration to make a creation that when completed out of earthen materials
would stay in the garden to watch over and guide me throughout my day.
I began with a large wooden
spoon which I painted cream color, then coated that with green tissue paper
for color. I drew her face with permanent marker and colored in areas with
metallic paints.
Her hair is fashioned of
birch sticks and her clothes are from Oak leaves and ribbon grasses. Her hair
decoration is bergamot and mountain mint. I really had a fun time creating
her and the children in my class loved watching me create her. They hope they
can make one of their own in the future.
REFERENCES
Walker, Barbara G. Women’s
Sprituality & Ritual Glouster, Mass.: Fair Winds Press, 1990
Howell, Francesca Ciancimino
Making Magic with Gaia Boston MA: Red Wheel, 2002
Cunningham, Scott Earth
Power St. Paul MN: Llewellyns, 2003
Conway, D.J. Magick of
the Gods and Goddesses Berkely CA: The Crossing Press 2003
Monaghan, Patricia The
Goddess Path St.Paul MN: Llewellyns, 2000
Baring, Anne and Cashford,
Jules The Myth of the Goddess London England: Arkana, 1991
Bowes, Sue Woman’s Magic
York Beach ME: Weiser Books 1999
Ash, Steven Sacred Drumming
New York NY: Sterling Publishers 2001
Dugan, Ellen Garden
Witchery St. Paul MN: Llewellyns, 2003
De La Tour, Shatoiya
Earth Mother Herbal Glouster MA: Fair Winds Press, 2002
Lovelock, James More on
the Theory http://www.lancs.ac.uk
Leadbetter, Ron Gaia
Morgana The Oracle at Delphi http://www.dreamscape.com/morgana/desdemon.html
Witcombe, Christopher L.C.E
Women of Prehistory The Venus of Willendorf http://witcombe.sbc.edu/willendorf/willendorfgoddess.html
Dow, Alice Mr. Marassa’s
Greek Mythology Course Mother Earth and her Children http://lrs.ed.uiuc.edu/students/mmarassa/mythology/motherearth.html
Michigan University http://www.windows.ucar.edu/tour/link
Gaia: The Mother Earth
http://www.paleothea.com/SortaSingles/Gaia.html
Copyright
This page is the intellectual and creative
property of Ezevia Rose.